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“Why, Betty?”,

The three men lined up in front of the closed door, and one of the deputies quickly threw it open. For an instant the officers stood motionless with weapons drawn. Billy watched with fascinated eyes; the moment the door opened forgot orders, ran and crouched behind the Sheriff, peering under his uplifted arm. There in the lurid firelight that streamed through the closed window, stood the two men he had seen before, hands up, rigid, staring into pistol barrels. Floor boards were torn up; strange vessels, scales, various paraphernalia Billy could not understand, lay about them; while in a deep hole they had dug, a small, iron-bound chest was partially covered with earth. The men’s faces were smutched, streaming with perspiration, and pale with terror.,

Again he patted her shoulder, and this time his voice was more kind. “You’re a brave little girl, and if I was your dad I’d be dead stuck on you. Just you don’t be afraid. I’ll bring your supper by and by.”,

“We’ll have to go and tell Ma,” said Maria.

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The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat.,

Mrs. Wopp leaning towards a lady on her right inquired, “Do you know Mis’ Stephens, why Joe Avery is not dancin’ this evenin’. Ever sence we come into this here barn he has never moved from his seat.”,

“Don’t, mother! Mother, don’t come in here! Don’t come in the same room with me,—I’m not fit for— O mother, I’ve hurt Jimmy for life!”,

For I’m a young thing and cannot leave my mother.”